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Posts Tagged ‘Freelancing’

The Many Hats of a Graphic Designer

Sunday, April 27th, 2008

Let’s say a client has come to you (as a graphic designer) asking you to create a brochure containing a range of design elements. Is it the graphic designers job to draw any illustrations used in the brochure or is that down to an illustrator? What about the photography? Should it be the graphic designer who takes photographs for the project or should that fall into the hands of a photographer. How about the copy? Should that be written by a copywriter? The obvious answers to all of these are no, they are not the job of a graphic designer and in each case they should be handed to the specialists. So, if that is true, what is the graphic designers job? In this case the graphic designer could be seen as overseeing the whole project ensuring that everyone involved is working towards the same goal set out by the client. However, just to put a spanner in the works, couldn’t a marketeer or the client themselves manage the project if they have a clear understanding of what they are trying to achieve and what they need to do to achieve it? (more…)

How to write a graphic design brief

Friday, March 28th, 2008

When you are starting a new project which requires help from a graphic designer it’s important that the client supplies a full and healthy brief. This brief shouldn’t merely be a shopping list of requirements:

1 x logo
1 x A4 brochure
1 x business card

The brief should inform the designer about the company and its values as well as the objectives of the project. Amends to artwork take up valuable time and can incur extra costs. To ensure that projects are delivered on time and on budget check out the following tips: (more…)

Necessary Design

Thursday, October 25th, 2007

We all stand back in awe when we see a particularly fine piece of design and the creator usually receives a great deal of credit for their masterpiece, whether it be illustration, animation or graphic design. Everyone likes this type of jaw dropping design work, it’s inspiring and exciting.

Even us designers forget that design is all around us and take for granted the time and effort that goes into the design work that isn’t as jaw dropping, sexy or exciting. Every time we read something that flows well or flick through a book that we can navigate with ease, we are enjoying good design work that we don’t give any credit to. Magazine layout, telephone directories, NHS leaflets, technical documents etc.. they are all important documents, and it is important to get the design right, but do we give the mac operators, the layout artists, magazine production artists a pat on the back? No, it’s very rare that these designers get the respect and recognition they deserve. (more…)

The Great Copyright Question!

Monday, September 17th, 2007

There are a great deal of question marks hanging over the subject of Copyright. It clearly is a small, grey minefield. However according to a Computer Arts survey 50% of designers claim they are familiar with copyright, but if this is true why does it have such a hazy and mystifying aura, especially within the online (MySpace) and digital realm? 

Copyrights protect your creative property and falls into five basic categories: (1) reproduction rights (2) derivative rights, the right to create adaptations of an original work (3) distribution rights, the right to sell a work (4) display rights, and (5) performance rights. For designers and illustrators, reproduction and derivative rights are the most important copyright rights.

Graphic designers often face a problem of copyright theft. Many graphic designers spend much time, thought and energy creating material to be submitted with proposals to corporate clients. It has been known for the client to receive the graphic designs, and have them developed with a cheaper competitor and give no compensation to the author of the graphic designs.
When you create a work you automatically own the copyright to that work for your lifetime. You don’t have to publish the work or register it to own the copyright. You can write “cease and desist” letters telling someone to stop using your copyrighted work even if the work has not been registered. You can file for a copyright at any time, but you cannot legally file an infringement of copyright action unless you have registered the work in question. (more…)

Burning the Midnight Oil

Monday, August 20th, 2007

After recently reading an article in “Computer Arts” entitled “Burning the Midnight Oil” I felt forced to put pen to paper in utter agreeance. The article, written by Jason Arber, focusses on how erratic us designers are, how we may well have flashes of inspiration at Midnight and will follow these through to the early hours of the morning, whilst the rest of civilisation lay in slumber. All because we live for what we do - design. 

Not only that, but we do sometimes except the impossible, for example a client that gives us a tight deadline. The urge to impress accompanied with the desire to win the business forces us to agree to ridiculous time-scales. Arber regards these late night endurance tests as a designers right of passage as at least one time in a designers life (and probably a lot more) you will be forced burn the midnight oil. (more…)

What is the definition of a Graphic Designer in the Freelance world? An Artworker or an Art Director?

Thursday, August 16th, 2007

What can truly be defined as a Graphic Designer? Are they merely simple folk who can create pretty pictures before your eyes or can you actually define what they are in a single sentence? I have decided upon two definitions of a Graphic Designer, an Artworker and an Art Director. 

Lets take a look at the first - the Artworker. The definition of an Artworker could be interpreted as someone who has either been given the art direction or intensely briefed by the client to the point that there is no room for thought or creativity, therefore the job in hand simply requires artworking - or just completing, and anyone who knows the usual design software tools can complete the project. However, these tools that are merely used to “finish the job” are often looked upon too lightly. It is sometimes very easy to point indignantly at a project and bellow “that this needs to be lighter and that needs to moved and re-jiggled”, but these skills are key, and to find an Artworker who can complete them swiftly and professionally is rare. Also in this day and age an Artworker can’t simply have one key piece of software, they need to be knowledgeable in a whole sweep; from Photoshop to Dreamweaver, from Illustrator to Flash, if these skills aren’t listed in an Artworkers portfolio it is definitely a black mark against them. (more…)